October 13, 2016
Written by Maximus Peperkamp, M.S. Verbal Engineer
Dear Reader,
There was a time when technology had not yet advanced far enough
to combine recorded sound with motion pictures. In these so-called silent
movies dramatic music was played to bring the muted play, which was acted out
by means of gestures and mime, alive. Also, title cards were showed to explain
the plot and to provide fragments of the dialogue.
The first moves with sound were referred to as talkies, sound films or talking
pictures and when our technology made synchronization possible film
production moved into the sound era
in which music and sound effects began to play a bigger and
bigger role. Nowadays, we are drowned in and overwhelmed by sound, and it is
much more difficult to notice when communicators engage in Sound Verbal
Behavior (SVB) or in Noxious Verbal Behavior (NVB) than in the days of the
silent movie.
In NVB the sound of the speaker’s voice is experienced by the
listener as an aversive stimulus, but in modern movies that sound is enhanced by sound effects much more than the SVB
speaker. The listening behavior of movie goers has been shaped by the sound of coercion
and violence.
A similar phenomenon has occurred in our news reporting and in
many other TV programs. Newsreaders and actors produce increasingly more hyped
up and demanding sounds and yank audience experiences around from one sensation
to the next. Everyone demands our attention.
When actors in shows say something funny, we hear canned laughter. There are attention-grabbing
commercials which interrupt any kind of ongoing dialogue. Due to NVB, we are
constantly distracted by what we hear (and see). We think we are entertained, but
we are conditioned to trivialize the vital importance of calmness, continuity
and attunement.
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